Devi Anne Moore, Artist

Portraits and Figures

Caroline in Black Velvet

oil 18 x 24

The Distinguished Gentleman

oil 25 x 29

Unmasked

oil 18 x 24

Moore devianne carollne in prom dress oil on linen 16 x 20

Caroline Prom

oil 16 x 20

Moore devi anne jason the tool guy 18 x24 oil

Jason the Tattooed Tool guy

oil 16 x 20

Joe Dickenesque

oil 16 x 20

Quiet Sorrow

oil 16 x 20

Brent the Film Maker

oil 16 x 20

Dominique Waiting

oil 16 x 20

Bryn with Seascape

oil 16 x 20

Belle Noire

oil 16 x 20

Prom Dress

oil 16 x 20

Joe Filiposki

Oil 16 x 20

Katherine

oil 16 x 20

Untitiled

oil 16 x 20

A Rose

oil 12 x 16

Nat with White Scarf

oil 16 x 20

Performer's Anticipation

oil 18 x 24

Rhus

oil 16 x 20 sold

Mike Brewer Alias Painter

oil 16 x 20

Draped in Green

oil 16 x 20

Ready

oil 16 x 20

Selfie End of a Chapter

oil 16 x 20

Self With Paint Brush

oil 16 x 20

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Michael Rook # 1

oil 14 x 18

Moore devianne self portraitt oil on panel 11x 14

selfie

oil 11 x 14

Fireside Thoughts

oil 16 x 20

Jazzy Trinidadian Woman

oil 16 x 20

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NOA

The Dancer

oil 16 x 20

Eddy with Violin

oil 18 x 24

Katherine with Violin

oil 18 x 24

Family with Pet Commission

oil Tripdycht sold

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Emerging

Hillery

oil

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Tristen

Moore devianne seven headed beast chasing me oil on linen 16 x 20

Selfie with Seven Headed Beast

oil 18 x 24

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Michales Rook #2 Alias Clark Gable

oil 14 18

Wet, Goggles

16 x 20

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Reading

oil 16 x 20

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Mr. Ron Primm

oil 16 x 20

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Grace with Flowers

oil 16 x 20

Train Ride

oil 18 x 24

Caroline with Vanity

oil 16 x 20

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Love HAngs on a String

oil 16 x 20

Belle

oil 16 x 20

Heff

Veneered Beauty

oil 18 x 24

Alexander S.

oil 11 x 14

Caroline with Ron's Art

oil 11 x 14

Waiting to Dance

oil 16 x 20

Pondering

oil 16 x 20

Emerging

oil 16 x 20

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Drawings: Trois Crayon and Charcoal

Trois Crayon is Red chalk and or black and white chalk on toned paper used by the old masters. Textures and layers are effective to achieve tonal value.

The Charcoal Series are about my parents living in Nepal in the 1950's before Communism. My father was one of two Doctors invited to solve the malaria crisis and smallpox epidemic.

TC 1

Moore devianne portrait of a man trois crayons 14 x18

TC 2

TC 3

TC 4

TC 5

Self in Pastel

Nepal #1

Hiking to get to isolated areas.

Charcoal 16 x 20

Ready for the Ball

My mother even brought a dress to wear dancing not knowing she would dance with the Maharajah.

Charcoal 16 x 20

Studying the Epidemcs

My Dad one of two doctors solving the health crisis.

Charcoal 16 x 20

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Climbing up on an Elephant

Parents transportation other than hiking were elephants and donkeys.

Charcoal 16 x 20

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Slippery Precarious Terrain

Rugged travels up and down.

Charcoal 16 x 20

Nurse in Training

Indigenous training was practiced helping each community.

Charcoal 16 x 20

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Sherpas Carried the supplies

Charcoal 16 x 20

Surgery Under an Awning

Whatever was needed the doctors did for the people.

Charcoal 16 x 20

The Painting Process

Sequence of the portrait process with a live model

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Squint and Stand back

To distance yourself from your canvass and see properly and accurately you must constantly stand and walk back. You can use a mirror too to see it an a fresh way. This is your greatest teacher-- seeing with a fresh view what you have been focusing on so long

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At the Easel

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First pass of drawing with a brush

Mixing BS and UB plus a touch of white, draw ing with brush straight lines and finding angles to get proportions of the live model.

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State the shadows areas

Always correcting the drawing as you go. Divide the lights shapes from the darks. Shape is key word for achieving accuracy --always in the shapes.

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Block In --dividing light from shadow

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Duo Tone

After correcting shadow shapes-- block in lights.

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Adding color notes and layers to depict the darkest darks and key int he lightest lights.

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Final Pass

Two- three hour pose in twenty minute increments.

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Color Study

Take 20 minutes to find and push the color using lots of paint not trying to paint the details and divide your canvass according to the color you see relative to each part you include. Abstract representation to use as you paint your actual painting.